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The AARC’s Community Art Exhibit Program displays artworks year round that celebrate the diverse and dynamic cultural heritage, history, identity and creativity of Asian American Pacific Islanders. Exhibits are displayed on a quarterly schedule.


photos of exhibit artwork with text "AARC OPEN CALL FOR ARTISTS AND CURATORS 2025-2026"

AARC Open Call for Artists and Curators 2025-2026

The AARC’s Community Exhibits Program displays year-round exhibitions that celebrate the diverse and dynamic cultural heritage, history, identity and creativity of Asian American and Pacific Islanders. The AARC's Community Exhibits Program invites artists and curators based in Central Texas to submit a proposal for exhibits for our 2025-2026 Exhibit Calendars. The AARC’s Community Exhibits Program aims to foster and promote exhibits that embody the AARC's mission, vision, and values to create spaces of belonging and healing for Asian American communities in Austin and beyond. 

Selected Artists and Curators will be provided with support to showcase their work and research, with access to AARC exhibiting spaces, facilities, funded community outreach/professional development opportunities, marketing and other resources.   

The application opened on Monday, October 7, 2024. The deadline to apply is January 12, 2025 at 11:59pm. 

Apply Now

If you have any questions or need assistance with the application, please email AARC@AustinTexas.gov. The City of Austin is committed to compliance with the Americans with Disabilities Act. Reasonable modifications and equal access to communications will be provided upon request. For assistance, please contact (512) 974-3914 or Relay Texas 7-1-1.   

Eligibility and Guidelines

Eligibility

  • Exhibiting artists or curators living and working in Texas

  • At least 18 years of age at the time of application

  • All proposed work must be able to exhibit in the AARC

  • Artists and Curators must be able to travel to and from the Asian American Resource Center located in Austin, TX for exhibit install, de-install, and public programming. (Travel or transportation expenses will not be covered by the AARC.) 

  • Complete Applications must be submitted through the specific google form. Any incomplete applications will not be reviewed. Any applications submitted through other means will not be considered. 

  • All artwork or exhibit items applied with and planned for exhibition with at the AARC are original or have been properly licensed and will not constitute copyright or other infringement.

Ineligible to Apply

  • Artists or Curators who have been selected to exhibit at the Asian American Resource Center from a previous Open Call for Exhibits within the last 2 years (2022 – present). 

  • AI-only creators

Evaluation Criteria

  • Relevance of proposed exhibit to the AARC’s Mission, Vision, and Values: to create spaces of healing and belonging for Asian/Asian American communities in Austin and beyond. 

  • Consideration of the AARC as a multi-purpose cultural center and a City of Austin entity.

  • Images of proposed body of work

  • Quality of writing and cohesiveness between exhibit elements: Exhibit Description, Artist/Curator Statements, Bios, Image List, Resume/CV, Proposed Programming, and Short Answer Question responses.  

Schedule and Application Process

Important Dates

  • Application Opens: Monday, October 7, 2024

  • Application Closes: January 12, 2025 at 11:59pm (CST)

  • Applicants Selected and Announced: Mid-February, 2025

To apply, you will be asked to submit the following: 

  • Applicant Information: Name and Email 

  • Artist/Curator Website and/or social media

  • Artist/Curator statement AND bio: pdf format. Please include the artist/curator statements and bios from any other exhibitors included in your exhibit proposal.

  • Artist/Curator Resume or CV: pdf format. Please include your past or upcoming exhibiting, public programming, or art/history/education related opportunities or experiences.

  • Exhibit Description: Please explain what your proposed exhibit is about and what works and artists will be included.

  • Exhibit proposal Artwork Images or Images of exhibit items: Please upload exactly 10 jpeg images of work planned to be in your exhibit (no larger than 1024 x 768 pixels at 300 dpi).

  • List of uploaded images: Please include the following information for each uploaded image in a pdf document: title of work, medium, dimensions (height x width x depth), and date completed.

Short Answer Questions
  • The AARC’s Mission is to create a space of belonging and healing for Asian/Asian American communities in Austin and beyond. Describe how your artistic/curatorial practice, work, perspective, or proposed exhibit relates or connects to the AARC’s mission, vision, and values?

  • What kinds of community programs (panels, creative workshops, pop-up events, reception, etc.) would you or your team be available to put on at the AARC alongside your exhibit? Please upload a brief program proposal document in pdf format that includes: 1) What your event/program ideas are: (you may include multiple options); 2) What materials or resources are needed to put on your program ideas (please include the cost of each item and keep the total budget under $500); 3) How your proposed programming ties into your exhibit or your artist/curator practice.

  • Please explain the different techniques and media processes involved the making of the artwork or historical contexts connected to the exhibit items that you have included in this exhibit proposal.

  • Please describe how you will install your proposed exhibit at the AARC. Consider the following when answering this question: - Are your exhibit items framed or individually standing elements? - How fragile are your exhibit items? Are they sensitive to certain environmental factors like light or temperature? How much do your exhibit items weigh? - Will elements of your exhibit need access to electricity or need to be experienced through specific technology? - Do you have any preferences for where in the AARC your exhibit will be displayed? - How will you keep your exhibit elements secure and accessible to the public? 

Selection

An independent panel will review all submissions. The top applicants will be chosen for exhibitions at the Asian American Resource Center. The top ten percent of artists will be further considered for additional opportunities at the AARC. Confirmation emails will be sent out in mid-February 2025 when the list of artists/exhibits has been finalized. 

Exhibit Space

The AARC provides accessible, non-traditional gallery and exhibiting spaces. This includes the AARC Zen Garden Hallway, AARC South Hallway, Zen Garden Courtyard, and Display Cases. Applicants are encouraged to visit the AARC before applying to understand the exhibiting spaces the AARC provides to its exhibitors. The location of selected exhibits at the AARC will be at the discretion of AARC staff based on the center’s capacity as a multi-purpose cultural center and the nature of the artist’s work. 

Info Session | December 14 at 10 a.m. - 12 p.m.

Learn more about the AARC's Community Exhibits Program and how to craft a well-rounded application for this year's Open Call! Join us at the AARC at 8401 Cameron Road on December 14 from 10AM to 12PM, and hear from a previous artist in the Community Exhibits Program Veeny Revilla, who will be co-hosting this information session with us. 

Current/Upcoming Exhibits and Programs

three photos of artist with text "Chinatown in Three Acts: An Exhibit by Mamie Raynaud"

Mamie Raynaud: Chinatown in Three Acts

Mamie Raynaud, known as the mad hat-tress, believes in the transformative power of hats. With a background immersed in the vibrant cultures of Los Angeles, she infuses her work with pop art, tradition, and Chinese American heritage. Millinery (hat-making), both as an art form and a craft, has allowed Mamie Raynaud to embrace the complexities of her upbringing—a Chinese American straddling two worlds, never quite fitting fully into either.  

The exhibit Chinatown in Three Acts sets to imbue the essence of 1970s Los Angeles Chinatown, exploring the vibrant backdrop it set for first-generation Chinese Americans like Mamie Raynaud. Now, nestled in the creative city of Austin, Texas, Mamie's studio stands as a testament to her journey. In every hat she crafts, there lies a story of her evolution from a curious child in Chinatown to milliner, where the precision of acupuncture meets the artistry of hat-making, creating pieces that are not just accessories, but narratives woven into fabric and form. 

About the Artist: Mamie Raynaud, known as the mad hat-tress, believes in the transformative power of hats. Inspired early on by her father, the neighborhood doctor, Mamie is also trained in the art of Chinese medicine. With a background immersed in the vibrant cultures of Los Angeles, she infuses her work with pop art, tradition, and Chinese American heritage. Growing up within the close-knit community of Chinatown, and surrounded by the influences of nearby Hollywood, her childhood became a colorful tapestry of experiences.  

Her journey began at the age of ten when she first operated a sewing machine, creating a Taiwanese aboriginal dance costume and igniting her love for textiles and craftsmanship. This eventually led to her studies in fashion design, where the love of hats ignited. Guided by skilled mentors at JR Millinery in England, as well as master hatters across Europe, Mamie has honed her craft. 

Now, nestled in the creative city of Austin, Texas, Mamie's studio stands as a testament to her journey. In every hat she crafts, there lies a story of her evolution from a curious child in Chinatown to milliner, where the precision of acupuncture meets the artistry of hat-making, creating pieces that are not just accessories but narratives woven into fabric and form. 

pink background with yellow text and artwork "Let's Play on Planet-Yellow!"

Peelander-Yellow: Let's Play on Planet-Yellow!!!

Acknowledging diversity in society and finding solidarity beyond our differences and disagreements is an important skill to learn on Earth as well as on Planet-Yellow. I would like to invite everyone to Planet-Yellow (home to several non-human-like peoples) to explore how all these people live together. The residents of Planet Yellow look very different from humans and animals on Earth. The residents of Planet Yellow have different body parts, appendages, and colors of skin tone from what we are familiar with on Earth.

As you observe the residents of Planet Yellow closely, you may realize that multiple faces often share one body. Despite all of these differences, Planet Yellow is famous for being the friendliest planet in the Universe. Peelander-Yellow hopes that through this exhibit, visitors will be able to enjoy exploring, playing, and befriending all of the residents on Planet Yellow.  

About the Artist: Kengo Hioki, known as Peelander-Yellow, is a muralist, painter, live painter, designer, and musician based in Austin, Texas. He is originally from Hyogo, Japan. After graduating from Osaka University of Art, he joined the Art Students League of New York. While touring around the world with his band, Peelander-Z, he has put on art exhibits in the US and Japan which often includes live painting with audience participation. He also created more than 60 murals throughout the US, including ones at Facebook (Austin) and Google (Chicago). In 2019, he won the Austin Chronicle Best of Austin award for Best Visual Artist.


Permanent and Semi-Permanent Installations

Lotus

Lotus by Sunyong Chung and Philippe Klinefelter, 2013
granite, handmade ceramic tiles


 

Lotus is a large site specific sculpture created by Art in Public Places commissioned artists Sunyong Chung and Philippe Klinefelter for the Asian American Resource Center (AARC), and is located in the entrance plaza overlooking heritage live oaks.

Chung created an intricate and lively 12’ diameter mosaic of a lotus, made of hand-colored and hand-crafted dimensional tiles, which Klinefelter surrounded with seven 9’ tall hand-carved granite “petals” gracefully reaching toward the sky. Klinefelter also carved the lotus’s seed pod at the center of the mosaic from granite, which doubles as a gently flowing fountain. According to feng shui principles, the placement of the fountain near the AARC entrance creates positive chi, or energy, for the building. The lotus, native to Asia, was chosen as inspiration for the sculpture because of its symbolic attributes of harmony, purification and healing.

Prayer Phone

Prayer Phone | Semi-Permanent Art Installation

Prayer Phone, a handmade altar with a disconnected phone, is an invitation to the public to “call” their deceased loved ones while giving offerings and prayers. This project reflects a common custom of many Asian traditions: commemorating ancestors and venerating the spirit world.

Two essential elements compose this installation. The old fashioned phone is a symbolic artifact that represents humanity’s desire to connect and communicate with others. Its historic form evokes passage of time. By contrast, the spiritual act of lighting incense symbolizes the following: sacredness when the element of air is ignited, purification of the environment’s energy, and blessings in return for offerings. These two elements combine to help connect the earthly to the heavens.

This project is inspired by an episode of This American Life featuring stories about Telephone of the Wind in Otsuchi Town, a small seaside town in northeastern Japan. An iconic English telephone phone booth connected to nowhere was repurposed, and people began “calling” family members lost during the tsunami caused by the 2011 Great Japan Earthquake. Telephone of the Wind became a public space for people to grieve for their lost loved ones. In response, Prayer Phone shares in the deep tradition of respecting spirits and coexisting with entities beyond the physical realm, as well as providing a physical space and an outlet to feel connected with the departed.

Learn More

 

Past Exhibits

Past 2024 Exhibits

Saffron Creative House: Artistic Redirection

Kelly Lan, Bo Feng Lin: Kiss Papercuts Goodbye

Photo-Voice: Imaging an Age-Friendly Austin

Julie Lee: In Her Glory 

Diane Hong: Vessels - Handle with Care

Senior and Staff Art-chiving

Past 2023 Exhibits

Jae-Eun Suh's "Ensemble Archives"

Finding Creativity in Resistance: The Legacy of Silk Club

Bridging the Seas

VEENY REVILLA "Sad Girls"

Afterworld: Zen Garden

Perlas Ng Austin: A Celebration of the Central Texas Filipino Community Through the Arts

Jasmine Chock: Great Value! Heritage Objects and Da Kine

Irene June: Spine Songs

AARC 10th Anniversary Exhibition

Past 2021 - 2022 Exhibits

A Sari Draped World 

ArtsResponders: Social Practice Responds to COVID-19 Featuring Lizzie Chen and Kengo

AVAFest 2022

CẢM ƠN MẸ

Filipino-American Navy

Lost Between.

MINDSET

 Mr. Huang's Calligraphy

Out of Service

Sweet and Sour

Seeking Community

Tradition's Rebirth in Modern Austin

Thank You Enjoy

Visions of Asia

Creative Highlights Video Series

Loc Huynh

Kevin Luo

Sneha Sundaram

Peter Shen

Kamonchanok Phon-Ngam

Charlotte Faye

Nutthawut Siridejchai

Mr. Huang

Past AARC Exhibits

A River Across East and West

Colonized Women: Reclaiming Our Indigenous Roots

Colors of Life

Courage To Be

Duality and Doko

Everything That Matters

Gingko Walk

Heritage

Inter/sected

Kingdom Arts

Let the Colors Speak

Perlas ng Austin (The Pearls of Austin): A Celebration of the Central Texas Filipino Community Digital Exhibit

Pink Lotus

Pioneer Painter

Reinventions, A Senior Art Show

Shen’s Precious Clocks and Watches

Storied & Pop Japan

 

Page last updated: December 3, 2024